Giveaway—Beyond Nuno PDF e-book

As a big Thank You for all the support I've had since I started felting and blogging, I'm giving away a copy of my new PDF e-book called Beyond Nuno on The Felting and Fiber Studio Site. It's all about using different fabrics in wet felting, why and how they felt the way they do, how different effects are achieved etc. I hope to show that there's more to nuno felting than just ruffled silk scarves and that it is possible to control the outcome of nuno felting. For more details you can read the blurb on Craftsy or the e-book page of this blog.

You don't need to do anything special to enter, just leave a comment on the Giveaway post post. If you'd like to spread the word through your blog or facebook etc, it would be very much appreciated but it isn't a requirement. I will randomly draw the winner 8 days from now on 4th March 2013, so please check back to the studio site to see if you've won and leave a comment on the announcement post so I can contact you with the download information.

Good Luck! :)

My new e-book

It seems like it's been forever in the making, and months since it was actually completed, but the e-book I have been working on is finally available to buy!

Beyond Nuno explores the use of fabrics in the art of making wool felt by the traditional wet-felting method. It features the fabrics most commonly used in felting--silk, organza and the open-weave cottons scrim, cheesecloth and muslin. There are also additional sections on synthetic fabrics and other lightweight cottons.
The book shows how these fabrics work with wool to create certain effects and how they can be used effectively and manipulated with different techniques.

Unlike project based books, the content focuses on how and why these fabrics work the way they do to provide the info you need for more control over the outcome of your nuno felting; how to achieve the effects you desire, and provide a basis for continued experimentation instead of feeling that felting is all just ‘guess-work’.
There are 190 full-colour, high quality photos in the book. Every photo is taken carefully to clearly demonstrate the information in the text. There are also many supermacro shots to show high definition examples of wool fibres and fabric weave to further illustrate the information, and because this is an e-book, all the photos can be enlarged up to 300% for even more detail without losing any quality.

Although nuno felting is seen as an ‘advanced skill’ in felting, I think anyone who has tried felting will find this book very easy to understand and follow. In the introduction, there’s a small step by step demonstration of how I felt, and I’ve included a small glossary at the end to help make things clear.

Hopefully before too long it'll be available to buy straight from my blog, but for now it is available from Craftsy.  http://www.craftsy.com/pattern/felting/beyond-nuno/45714

I really enjoyed making the book and it was hard to stop, there was always something else that was 'vital' and just had to be included!

 I had lots of help and must say some thank-yous. Thank you to my girlfriend for putting up with many mini-meltdowns and for giving me a unique perspective which I think has really helped to make this book different to anything else around. A massive Thank You to Lyn from rosiepink. Lyn has published an excellent e-book, a step by step guide to Creating Felt Artwork, and as well as reading and re-reading endless drafts of my book, gave me lots of invaluable advice about the whole publishing and selling side of things. Thanks, Lyn :)
I must also thank Karen and Ruth. Sorry for all the ranting and moaning, Kaz, and thanks so much for reading through and making sure it was clear and simple. Thank you so much for your thorough proof reading, Ruth, all your suggestions and invaluable insight. Ruth is the author of the fantastic Complete Photo Guide To Felting. Thanks to Pam from the forum for all your help with the Introduction, getting that right really helped make the rest of the book clear. And Thank You to everyone who reads my blog, leaves such nice comments here, on flickr on The Felting and Fiber Studio site and everyone at the Felting and Fiber Forum :)

*** It's now available to download straight from the blog, just click the photo on the top right which says 'Instant Download' underneath, or go to the e-books page.

Completed Projects

The two main projects I was working on recently were my white textured felt piece and my stitched felt piece. I was working on them a little at a time when I got the chance, inspired by Ruth's Daily Dose of Fiber Challenge on the Felting and Fiber Studio Site. It took a while, but I finally finished the stitched felt piece, and I really like the way it turned out.

I thought I would never get a clear, bright enough day to photograph my finished white texture piece, but I finally did last week. I had to take it outside and use a large piece of cardboard because the locks make it about 27 inches from top to bottom. I used lots of different white wools on this piece, mostly to keep it soft and 'spongey'. English 56s, Swaledale, Texel and Cheviot were used for the main body texture. I used wool saved from my hand carders, scraps of cotton gauze and cheesecloth and carded lambswool between the layers to increase texture.

I tried something a little different with this piece, I left the centre without any wool when I laid out the first two layers, then added a piece of cotton gauze before the last two layers.

It worked out really well, you can see from this close up how a few wool wisps crept behind the gauze.

I added the locks around the sides at the same time I added the gauze. They kept their shape really well during felting and none of them tangled together.  The Angora, Wensleydale and Teeswater locks in this next photo show how nicely they turned out.

For surface texture I used cotton gauze, scoured Bluefaced Leicester and Wensleydale, raw Mohair, wool nepps, raw Gotland, Teeswater and Wensleydale locks, and embellishment fibres soybean top and silk noil.

I haven't had chance to work on anything for a few weeks, but I'm going to continue with Ruth's challenge as much as possible for the whole year, not just the first quarter, I think it has really helped for organising and to keep projects fresh in my mind, even if it just from relisting them each day in my diary :)

January Projects

I've been trying to find ways of having a few projects on the go so I can work on them for a few minutes at a time where possible. A few months ago, I posted on the Felting and Fiber Studio site about a couple of felt pieces I'd made with the intention of practising stitches for the Take A Stitch Tuesday challenge. I didn't keep up with the challenge, so had the pieces spare. I decided to add some stitching to the first piece. This is how it looked originally. I started by machine stitching around the patches of colour.

Over the next couple of days, I added some hand stitched straight stitches, first in in yellow and then added some in orange.

Another project I got started on this week is a white texture felt piece. Liz from That Fuzzy Feeling blog, recently made a gorgeous piece of texture felt and it inspired me to make one. I decided to make a natural white one, so I got to play with (and smell!) my collection of wool, alpaca and mohair locks. They are mostly unwashed so my hands felt really nice afterwards.

The first day I managed to get as far as laying it out and sewing up around the edges. So far, I've managed to add the stitches from the top to the bottom.

Thanks to Ruth for encouraging us to find ways to fit in a few minutes of fibre time each day, I've managed to get a lot more done this week than I otherwise would have. It might not be much each day, but before long, it all adds up to finished projects I wouldn't have had without the challenge :)  Ruth's been blogging about her Daily Dose of Fibre, check out her blog for her gorgeous bead books, stitched fused fabric, and more.

Finishing Projects

I’ve been trying hard with Ruth’s Daily Dose of Fiber challenge, but so far that mostly consists of me rewriting the same list each day :)    I have managed to complete a few projects recently though. The first one was a small shoulder bag I started a while ago when I was using my felt offcuts. I think these kinds of bags are known as ‘passport bags’, it’s big enough to fit a camera and coin purse in. I had some nice fabric that I salvaged from a worn out camera bag, so I used this on the inside flap. It might look familiar because I took photos of the magnetic closures for a post not so long ago.

 

I covered over the tops of the magnetic closures with felt--craft felt on the inside and a nuno felt offcut for the front, before sewing the sides together--that’s usually something I’d forget to do! 

Once it was all sewn up, I finished around the edges with blanket stitch in the same maroon colour I’d used for sewing. Another project I finished recently was a felt placemat. I made the felt sometime last year and used a piece to make a mirror case, and cut out the placemat, but I never got around to blanket stitching the edges, so one day last week when there was about 30 minutes of light, I finished it off.

The last project I managed to complete this week was a set of two coasters for by the kettle. I used a plain piece of felt and cut an 11 x 7 inch rectangle, and a square roughly 6 x 6 inches. I zig-zag stitched around the edges then did random straight stitching, first one way, then the other. This thickened up the felt and because I wasn’t aiming for neatness, I didn’t need to concentrate hard or strain my eyes :)

My next project is to do a wool and fibre inventory. What have you been working on lately? Have you finished any projects you had waiting for a while? Do you have a list of things you want to work on?

Felting the Weather

On the Felting and Fiber Studio Site a few months ago, Karen Challenged us to make something depicting our weather. I didn't have chance to felt mine until New Year's day, but I took lots of photos and started looking at them and thinking how I could try to capture them in felt. I also started to make up some blends of wool and fibres to capture the colours and tones.

I didn't want to try to recreate any of the photos, just try to capture the feeling of the ever changing sky and clouds. This first piece is based on some of the sunsets here recently, they haven't been as deep or spectacular as usual, probably because it's been wet, dark and warm instead of bright and cold, but sometimes there's a little hint of peachey copper.

This is a close up of the coppery silk throwster's waste:

This next piece is based on the thick white and grey cloudy days; billowing, rolling clouds, subtley changing as they grow and float past. It is made from lots of different natural white and light grey wools blended with flax, soy fibre and bamboo for soft golden highlights. The locks are Gotland and Mohair and Bluefaced Leicester.

I love days when we get huge swirling black and grey clouds, constantly changing as they storm through the sky. These next two pieces are part of a larger one inspired by dark, cloudy days. I used carded Gotland wool for the background and laid raw Gotland locks in shades from light grey to black on top for the rolling clouds.

This last piece wasn't based on a photo I took or anything I saw out of the window, but it was inspired by many photos of the effects of the torrential rain we've had in the UK over the past 3 months (or last 9 really). A lot of the photos haven't been pretty; muddy brown water waist deep, roads and pavements broken, whole rows of houses collapsed...but there have beeen some spectacular ones of stormy, cloudy skies and stormy seas, raging rivers, and some great ones of large stormy clouds in bright blue skies reflected on miles of  flooded fields. I wish I'd downloaded the photos, but I'm not sure I could post them without infringeing copyright. This last piece is probably my favourite.

If you'd like to see some of my sky photos, they're in a set on flickr
http://www.flickr.com/photos/zedster01/sets/72157632441877866/

Yarny Vessel

A few years ago, I wanted to make a felted vessel for my girlfriend, I had an image in my mind of how I wanted it to be, and I wanted it to be 'perfect', so it took a few attempts, but I was finally happy.

I used two of the practice vessels to make some 'woolly vessels' by needle felting locks onto them. One of them was this white vessel. I needlefelted locks of Angora, Alpaca, Wensleydale, Bluefaced Leicester and Kid Mohair onto it, then put it through the washer to make sure the locks were secure, and because a lot of them were unwashed locks.

Another one I made was this bluey green one, it reminds me of something from under the sea or around the coast. This has dyed locks of Angora, Alpaca, Wensleydale, Devon, Bluefaced Leicester and Kid Mohair. And I used texturey wools like dyed Icelandic and scoured lambswool to secure the locks.

Around the same time, I had the idea for making a really colourful texturey vessel, by needlefelting pieces of handmade yarn and wool twists onto one of my spare practice vessels. I had quite a large stash of handmade yarn and often made wool twists for projects so thought it probably wouldn't take much longer than the other two had. I was wrong! :) It took a lot longer... about 3 years off and on. I probably could have finished it sooner, and I did have phases where I would make up twists and add them, or sit spinning yarn for a few hours then cut it into pieces when it was dry and spend a few hours needling pieces onto the vessel but it never seemed to get any closer to being done! This last weekend, not feeling well enought to tackle my half finished business plan, I decided to try my hardest to finish it. I got out all my left over yarn, stashes of wool blends and a drop spindle and set to work making a big pile of wool twists and a long length of plied yarn to cut up. I also got out my box of very thin felt offcuts and wetted and rubbed some of those to add too. I didn't want to wet the yarn and wait while it hung and dried, so after snipping it into lengths I wet and rubbed one end to 'seal' it and stop it unravelling. After needling all the pieces into the bare parts of the vessel, I finished off around the top, tidying it up and securing the loose fibres. And this is the result:

And then I put it into an old pillow case and put it in the washing machine with a normal load :)  It looked like this:

I unsquashed it and gave it a few shakes and spins, ran my fingers loosely through the twists and yarns (there's a few strips of silk and organza n there too) then sat it on a tub to dry overnight. And this is what it looks like this morning:

I know it's taken me a few years to finish it, but I kind of feel like making another one now! :)