Dutch and Russian Wool

I got some 'Yellowish Dutch Wool' from wollknoll, 34 mic 'not suitable for felting', it said. It seemed to felt fine for me:

I don't know what breed it is, I'd guess Texel, maybe someone who's bought it knows? Here's a close up of a corner:

I thought I'd try a variety of fibres again, so the top row is a blend of black Viscose tops and Ingeo, the narrow band in the middle is Fake Angora, and the bottom is black Bamboo and White Bamboo blended.

Different angle:

This is a close up of the Viscose and Ingeo:

And close up of the fake Angora (it has a strange feel to it, and looks kind of waxy):

Another vaguely listed wool I bought was 'Russian-Camelhair'. I'm guessing from the way they describe things on wollknoll, that 'Camelhair' is the colour, it's more reddish though. And this is also 34 mic but 'This wool is especially suitable for felting'. Another guess is that this is Romanov wool. It seems to be double coated like a lot of the ones I ordered. I used Ramie fibre with this:

The circular parts are Ramie that I fluffed up then patted down into little discs:

This is a close up of Ramie just fluffed up and added:

The sun came out as I was taking this, I usually try not to take photos in the sun, but I liked this one:

Over on The Felting and Fiber Studio site, our challenges this year are all going to be based around colour. The first quarter challenge had us looking at the colour wheel, tints and shades and blending. I had some 'Hot Pink' Merino wool tops, quite a lot actually, so I used them with white Merino and black Merino to see what blends I would get. You can read the whole post here and see the batt I made.

Completed Projects

The two main projects I was working on recently were my white textured felt piece and my stitched felt piece. I was working on them a little at a time when I got the chance, inspired by Ruth's Daily Dose of Fiber Challenge on the Felting and Fiber Studio Site. It took a while, but I finally finished the stitched felt piece, and I really like the way it turned out.

I thought I would never get a clear, bright enough day to photograph my finished white texture piece, but I finally did last week. I had to take it outside and use a large piece of cardboard because the locks make it about 27 inches from top to bottom. I used lots of different white wools on this piece, mostly to keep it soft and 'spongey'. English 56s, Swaledale, Texel and Cheviot were used for the main body texture. I used wool saved from my hand carders, scraps of cotton gauze and cheesecloth and carded lambswool between the layers to increase texture.

I tried something a little different with this piece, I left the centre without any wool when I laid out the first two layers, then added a piece of cotton gauze before the last two layers.

It worked out really well, you can see from this close up how a few wool wisps crept behind the gauze.

I added the locks around the sides at the same time I added the gauze. They kept their shape really well during felting and none of them tangled together.  The Angora, Wensleydale and Teeswater locks in this next photo show how nicely they turned out.

For surface texture I used cotton gauze, scoured Bluefaced Leicester and Wensleydale, raw Mohair, wool nepps, raw Gotland, Teeswater and Wensleydale locks, and embellishment fibres soybean top and silk noil.

I haven't had chance to work on anything for a few weeks, but I'm going to continue with Ruth's challenge as much as possible for the whole year, not just the first quarter, I think it has really helped for organising and to keep projects fresh in my mind, even if it just from relisting them each day in my diary :)

White felt lampshade cover

I've been promising Heather for ages that I'd get round to making a white felt lampshade cover after she shared hers, and I did make the felt about a week ago, but I only got around to sewing it the other day. I handspun some thin white yarn to hem the top and sew the seam, but I left the natural edge along the bottom.

I'm wishing I placed some locks over the edge now.

The bottom is a thin layer of 18.5 mic natural white merino, then there's a thin layer of 23 mic natural white merino. The 3rd layer is lots of different natural coloured locks and curls-Mohair, Wensleydale, Angora, Teeswater, Bluefaced Leicester, and some wool nepps too. The top thin layer has natural Merino, Devon, Romney and Texel tops, topped with silk, ramie, bamboo, Teeswater, Mohair, soya bean fibre and silk noil. There's a few bits of vegetable matter in there too :)