As a big Thank You for all the support I've had since I started felting and blogging, I'm giving away a copy of my new PDF e-book called Beyond Nuno on The Felting and Fiber Studio Site. It's all about using different fabrics in wet felting, why and how they felt the way they do, how different effects are achieved etc. I hope to show that there's more to nuno felting than just ruffled silk scarves and that it is possible to control the outcome of nuno felting. For more details you can read the blurb on Craftsy or the e-book page of this blog.
You don't need to do anything special to enter, just leave a comment on the Giveaway post post. If you'd like to spread the word through your blog or facebook etc, it would be very much appreciated but it isn't a requirement. I will randomly draw the winner 8 days from now on 4th March 2013, so please check back to the studio site to see if you've won and leave a comment on the announcement post so I can contact you with the download information.
Good Luck! :)
Sunday, 24 February 2013
Wednesday, 20 February 2013
My new e-book
It seems like it's been forever in the making, and months since it was actually completed, but the e-book I have been working on is finally available to buy!
Beyond Nuno explores the use of fabrics in the art of making wool felt by the traditional wet-felting method. It features the fabrics most commonly used in felting--silk, organza and the open-weave cottons scrim, cheesecloth and muslin. There are also additional sections on synthetic fabrics and other lightweight cottons.
The book shows how these fabrics work with wool to create certain effects and how they can be used effectively and manipulated with different techniques.
Unlike project based books, the content focuses on how and why these fabrics work the way they do to provide the info you need for more control over the outcome of your nuno felting; how to achieve the effects you desire, and provide a basis for continued experimentation instead of feeling that felting is all just ‘guess-work’.
There are 190 full-colour, high quality photos in the book. Every photo is taken carefully to clearly demonstrate the information in the text. There are also many supermacro shots to show high definition examples of wool fibres and fabric weave to further illustrate the information, and because this is an e-book, all the photos can be enlarged up to 300% for even more detail without losing any quality.
Although nuno felting is seen as an ‘advanced skill’ in felting, I think anyone who has tried felting will find this book very easy to understand and follow. In the introduction, there’s a small step by step demonstration of how I felt, and I’ve included a small glossary at the end to help make things clear.
Hopefully before too long it'll be available to buy straight from my blog, but for now it is available from Craftsy. http://www.craftsy.com/pattern/felting/beyond-nuno/45714
I really enjoyed making the book and it was hard to stop, there was always something else that was 'vital' and just had to be included!
I had lots of help and must say some thank-yous. Thank you to my girlfriend for putting up with many mini-meltdowns and for giving me a unique perspective which I think has really helped to make this book different to anything else around. A massive Thank You to Lyn from rosiepink. Lyn has published an excellent e-book, a step by step guide to Creating Felt Artwork, and as well as reading and re-reading endless drafts of my book, gave me lots of invaluable advice about the whole publishing and selling side of things. Thanks, Lyn :)
I must also thank Karen and Ruth. Sorry for all the ranting and moaning, Kaz, and thanks so much for reading through and making sure it was clear and simple. Thank you so much for your thorough proof reading, Ruth, all your suggestions and invaluable insight. Ruth is the author of the fantastic Complete Photo Guide To Felting. Thanks to Pam from the forum for all your help with the Introduction, getting that right really helped make the rest of the book clear. And Thank You to everyone who reads my blog, leaves such nice comments here, on flickr on The Felting and Fiber Studio site and everyone at the Felting and Fiber Forum :)
*** It's now available to download straight from the blog, just click the photo on the top right which says 'Instant Download' underneath, or go to the e-books page.
Beyond Nuno explores the use of fabrics in the art of making wool felt by the traditional wet-felting method. It features the fabrics most commonly used in felting--silk, organza and the open-weave cottons scrim, cheesecloth and muslin. There are also additional sections on synthetic fabrics and other lightweight cottons.
The book shows how these fabrics work with wool to create certain effects and how they can be used effectively and manipulated with different techniques.
There are 190 full-colour, high quality photos in the book. Every photo is taken carefully to clearly demonstrate the information in the text. There are also many supermacro shots to show high definition examples of wool fibres and fabric weave to further illustrate the information, and because this is an e-book, all the photos can be enlarged up to 300% for even more detail without losing any quality.
Although nuno felting is seen as an ‘advanced skill’ in felting, I think anyone who has tried felting will find this book very easy to understand and follow. In the introduction, there’s a small step by step demonstration of how I felt, and I’ve included a small glossary at the end to help make things clear.
Hopefully before too long it'll be available to buy straight from my blog, but for now it is available from Craftsy. http://www.craftsy.com/pattern/felting/beyond-nuno/45714
I really enjoyed making the book and it was hard to stop, there was always something else that was 'vital' and just had to be included!
I had lots of help and must say some thank-yous. Thank you to my girlfriend for putting up with many mini-meltdowns and for giving me a unique perspective which I think has really helped to make this book different to anything else around. A massive Thank You to Lyn from rosiepink. Lyn has published an excellent e-book, a step by step guide to Creating Felt Artwork, and as well as reading and re-reading endless drafts of my book, gave me lots of invaluable advice about the whole publishing and selling side of things. Thanks, Lyn :)
I must also thank Karen and Ruth. Sorry for all the ranting and moaning, Kaz, and thanks so much for reading through and making sure it was clear and simple. Thank you so much for your thorough proof reading, Ruth, all your suggestions and invaluable insight. Ruth is the author of the fantastic Complete Photo Guide To Felting. Thanks to Pam from the forum for all your help with the Introduction, getting that right really helped make the rest of the book clear. And Thank You to everyone who reads my blog, leaves such nice comments here, on flickr on The Felting and Fiber Studio site and everyone at the Felting and Fiber Forum :)
*** It's now available to download straight from the blog, just click the photo on the top right which says 'Instant Download' underneath, or go to the e-books page.
Sunday, 17 February 2013
Completed Projects
The two main projects I was working on recently were my white textured felt piece and my stitched felt piece. I was working on them a little at a time when I got the chance, inspired by Ruth's Daily Dose of Fiber Challenge on the Felting and Fiber Studio Site. It took a while, but I finally finished the stitched felt piece, and I really like the way it turned out.
I thought I would never get a clear, bright enough day to photograph my finished white texture piece, but I finally did last week. I had to take it outside and use a large piece of cardboard because the locks make it about 27 inches from top to bottom. I used lots of different white wools on this piece, mostly to keep it soft and 'spongey'. English 56s, Swaledale, Texel and Cheviot were used for the main body texture. I used wool saved from my hand carders, scraps of cotton gauze and cheesecloth and carded lambswool between the layers to increase texture.
I tried something a little different with this piece, I left the centre without any wool when I laid out the first two layers, then added a piece of cotton gauze before the last two layers.
It worked out really well, you can see from this close up how a few wool wisps crept behind the gauze.
I added the locks around the sides at the same time I added the gauze. They kept their shape really well during felting and none of them tangled together. The Angora, Wensleydale and Teeswater locks in this next photo show how nicely they turned out.
For surface texture I used cotton gauze, scoured Bluefaced Leicester and Wensleydale, raw Mohair, wool nepps, raw Gotland, Teeswater and Wensleydale locks, and embellishment fibres soybean top and silk noil.
I haven't had chance to work on anything for a few weeks, but I'm going to continue with Ruth's challenge as much as possible for the whole year, not just the first quarter, I think it has really helped for organising and to keep projects fresh in my mind, even if it just from relisting them each day in my diary :)
I thought I would never get a clear, bright enough day to photograph my finished white texture piece, but I finally did last week. I had to take it outside and use a large piece of cardboard because the locks make it about 27 inches from top to bottom. I used lots of different white wools on this piece, mostly to keep it soft and 'spongey'. English 56s, Swaledale, Texel and Cheviot were used for the main body texture. I used wool saved from my hand carders, scraps of cotton gauze and cheesecloth and carded lambswool between the layers to increase texture.
I tried something a little different with this piece, I left the centre without any wool when I laid out the first two layers, then added a piece of cotton gauze before the last two layers.
It worked out really well, you can see from this close up how a few wool wisps crept behind the gauze.
I added the locks around the sides at the same time I added the gauze. They kept their shape really well during felting and none of them tangled together. The Angora, Wensleydale and Teeswater locks in this next photo show how nicely they turned out.
For surface texture I used cotton gauze, scoured Bluefaced Leicester and Wensleydale, raw Mohair, wool nepps, raw Gotland, Teeswater and Wensleydale locks, and embellishment fibres soybean top and silk noil.
I haven't had chance to work on anything for a few weeks, but I'm going to continue with Ruth's challenge as much as possible for the whole year, not just the first quarter, I think it has really helped for organising and to keep projects fresh in my mind, even if it just from relisting them each day in my diary :)
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