Silk Nuno Sample

I bought some silk fabric from a seller on ebay quite a while ago. It was listed as Silk Organza and it felt 'stiff' like some of the thicker synthetic organzas can, but was even stiffer. It kind of 'bent' rather than folded! I mentioned it on the Felting and Fiber forum and after suggestions decided the best thing to do was wash it and see how it turned out. I don't have any photos of it as it comes, I remember trying, but it was acting like patterned shirts do on the telly. This is how it looked after a wash:

It started to crumple up and look like foil, and didn't want to uncrumple. In some places it started to fall to bits:

I googled, and came up with a couple of sites talking about vintage fabrics, and especially how delicate silk taffeta is with its metallic threads and something about how taffeta is prone to disintegration because of the metal salts used to give an opalescent sheen. So, I'm fairly certain it is taffeta and not organza. I did a sample using a piece before washing, at the top, and a piece I'd washed, at the bottom:

The unwashed piece kept its shape better than I thought. Actually, so did the washed piece, I wouldn't have been surprised if it just fell to bits. I did a similar sized sample with just one piece unwashed.

The taffeta still feels stiff after felting, but it does look nice. Angled:

You can really see the sheen and texture on this close up:

A few weeks ago, I made some more drum carded blended batts. I used 18.5 mic primary yellow Merino blended with hand dyed Milk, Silk and Soy fibres; and 18.5 mic Merino blended with black bamboo and hand dyed Milk, Silk and Soy fibres; then I blended them together.

A few people pointed out they fit in well with the Felting and Fiber Studio first quarter colour challenge, making a shade. I'm hoping I get chance to felt a little sample of them soon, I'm curious how the fibres will show through.

Scarves

Just before the end of last year, I made a few scarves that I didn't get chance to post about. The first one was a present for my sister's birthday. I took the inspiration for the colours from a previous scarf I made, which was blue and purple. I blended up equal amounts of blue, purple and green 18.5 mic Merino on my drum carder. I can't remember now how many times I put the batts through, I think it was only once because I wanted random variegation. This is the back of the scarf:

I added some silk top to the front:

And I just like the way this photo looks :)

I used what was left of the batts and added some more blue, purple and green, with a lot more green so I could make a scarf for my dad. You might remember the batt. I used some to make a nuno sample (which is now my nuno collar which I wear when I go out, though it looks more like a foppish cravat). When I weighed it, there wasn't enough for a scarf, so I had to blend up some more Merino. Even though I only needed about 10grams to be on the safe side, I had to recreate the stages of the other one to get a similar blend. I think it's my favourite one so far:

Here's a close up:

One thing I noticed while carding the batts, was that the more the wool/batts were carded, or re-carded, the more I got soft little nepps appearing. I did pick a few out, but it wasn't easy so I left them, hoping they wouldn't be a problem since they were so soft. It might be my imagination because I certainly can't feel them, but there definitely seems to be more texture on this scarf. I think the light here caught it just right:

I liked the way this photos looks too, I'd just casually dropped the scarf on the table nd it folded like this:

Monet Challenge

I didn't get a chance to do any felting for a while until this week because we had a ridiculous heatwave here. I did manage to make a few batts for the Felting and Fiber Studio's Monet challenge though. After choosing some of my favourite paintings, or ones which I thought I might be able to use as inspiration, I made a simple montage:

I then messed about with it in Photoshop:

Using this for inspiration I made a couple of green batts; a purpley one; a purple and yellow blended one which looks kind of mustardy/mossy, and a mixed blue one. Looking at Monet's style he mostly had a straight/dashy style, but some paintings or certain areas of paintings had a softer swirly style. For the first piece I made using the batts I laid out areas of different colours then added softer wispier swirls of wool and fibres:

I made this piece using the batts too. Neither of these first pieces copy Monet, they are just inspired by the colours.

I wasn't very confident I could do an actual 'copy' of a Monet painting, but I thought I'd have a go of at least doing an impression of a Monet piece :) I chose Morning On The Seine In The Rain.

I was actually quite surprised when this started to dry and it actually looked like something! I don't know if it's because I've stared at the original so much that I can see the similarity and that it's meant to be it, but I'm pleased with how it turned out.

When I was fluffing up the fibres for the swirly piece, I thought I might have a go at needlefelting a piece too. Since I had all the colours out, and had really started to like it, I thought I'd do another based on Morning On The Seine In The Rain. I used a piece of thick commercial Merino prefelt as a base, and blended some texturey wools like Icelandic, carded lambswool and Devon longwool with Merino to get the colours and texture I wanted. I like the way this turned out too :)

If you want to join in the challenge, you can comment on any of our Challenge posts on the Studio site and link to your piece or post it on the forum in the thread we have there: http://feltandfiberstudio.proboards.com/thread/1587/third-quarter-challenge