Bluefaced Leicester and Crimped Viscose Fibre

A couple of weeks ago, I made some felt panels using Yake fibre with Bamboo Staple Fibre, and Bluefaced Leicester with crimped Viscose fibre. This is the Yak piece with Bamboo:

I posted about it on the Felting and Fiber Studio site a few days ago if you want to read more, and I've been uploading my photos to Ipernity if you want to see better photos in more detail. Although Viscose top is very similar to Bamboo top, crimped Viscose fibre isn't quite so similar to Bamboo fibre. There are some similarities, for example the way the strands of fibre curl. Viscose is whiter in appearance than the creaminess of Bamboo, and bamboo appears shiner, catching the light on its crimp. I teased the viscose apart and laid it on top of the Bluefaced Leicester:

This is a close up of the area in the top left corner. I teased the fibres apart and 'fluffed' them up:

This is the area just to the right, I separated the fibres but tried not to lose the curly charecteristics of the strands too much:

This is the area just below, it is a bit denser, but you can still see the characteristics of the fibre:

Just below that is an area where the fibre is sparser, I separated the fibre, fluffed it up and laid it on quite thinly.

This is the area in the bottom right corner, I added some interesting, longer strands of the viscose fibre:

I took a couple of photos of the two pieces side by side for comparison. The Yak and Bamboo is on the left and the BFL and Viscose is on the right. You can see the differences from this one, the bamboo is 'fluffier',  and shinier, and the viscose is whiter and less 'compact'.

From this photo close up, you can see some of the similarities in the fibres' characteristics:

My new favourite fibre, Kapok:

It is so soft, you can barely feel it. I thought yak felt like a kitten's belly, this is twice as soft as that :)

Teeswater and Needle Felting

I know the last post I did about natural wools and fibres featured Viscose as well, but after Ruth's post about Wensleydale on the Felting and Fiber Studio, I thought I'd show a piece that I'd made using 'curly' wool too, though this is Teeswater. I do have some raw Teeswater locks that I bought from Sara's Texture Crafts, but for this I just used commercial Teeswater tops. Tops can be quite deceiving as it isn't always obvious what the characteristics of the wool are, and they often all look quite similar. Until they're felted that is. You don't get quite the same results as using washed and combed or carded wool, but a lot of the features do 'come back' once the wool has been wet. By hand,  I blended some black viscose in with the Teeswater tops for the top layer.

Where the wool and fibre are blended well it has a greyish look to it.

And some parts are a bit more defined.

This is the back of the piece, I just love the look of felt like this :)

Doing a needle felted piece for Marilyn's Monet Challenge got me in the mood for doing some more. So far I've wet felted the backgrounds for 3 pieces, and finished one of them. I played around with a photo I took a few years ago at the beach in Crosby, not far from Liverpool:

Then I needlefelted a piece based on it:

Threads and Yarns

Around this time last year I was still doing the Take A Stitch Tuesday challenge. I struggled with it, and didn't always enjoy it, but I did like what I produced when I used some felt offcuts from a piece I'd made with natural wools for placemats and coasters. I used my own handspun thread to sew the stitches. This is one I made using chain stitch, and this is one using cretan stitch. I hadn't used my threads in a while, but recently I've been inspired by my flickr-friend, Marchi Wierson, a sculptural fibre artist who uses a variety of techniques in her work, such as wet felting and crochet, and loves working with natural wools and fibres. Her recent vessel commission and some gorgeous natural fibre yarns had me rummaging through my wools and fibres and getting my spindles out to spin more thread and yarn. I decided to use three shades of Shetland Wool.

I pulled off some of the tops from each shade:

Then I looked through my embellishment fibres for some I thought would make a nice match. I chose Soybean top, viscose top and flax.

I added some of each fibre to the Shetland tops:

Then I blended them by hand:

I got a couple of my spindles out, this is one I made and painted a few years ago:

I made a small amount of thread, though even a small amount of wool and fibres goes a long way when spinning thread. This is it wound around the spindle.

Then I blended up some more Shetland and fibres and spun a thicker yarn. I will probably use the yarn in a wet felting project, though I have used them for needlefelting before.

Do have a look at Marchi's photostream if you have time, her work is amazing and inspiring :)