Stewart Stephenson Challenge

At the beginning of last month, Ann posted her 2nd Quarter Studio Challenge on The Felting and Fiber Studio site, the work of artist Stewart Stephenson. His work is very diverse, and I must admit I prefer his more abstract works, maybe because they are similar in style to my own oils and acrylics. I played it 'safe' with the first piece I made for this challenge, using one of his 'sass' flower paintings, Sassy Wildflowers:

I drew myself a little sketch, marked down which colours to use where, then laid out the wool. I did a similar thing for both pieces and the colours were quite a bit off! This is before felting:

And this is what it looked like after felting:

The other Stewart Stephenson pieces I quite like are his mixed media 'line' pieces. I'm not sure which mediums are used, some look to be just paint, some seem to be digital images or at least digitally altered. They all seem to be based on the idea of having a centre and working out from there. The one I mostly used for reference was 'Line Up Now'.

Again, my colours were a bit off, and also his works don't appear to be mirror images, but I liked the idea of that, so that's how I did mine. This is a close up of one part before felting:

My girlfriend suggested I use some very dark blues and black on it, to give it more depth, so just before felting, I added those colours. This is what it looked like after felting.

I really like the way both pieces came out. I made them of a size big enough to make notebook covers, but I think they'll stay as they are :) We'll be adding the entries to the Challenge Galleries, so if you'd like to be included just let us know. We also have a post on the forum where you can see other entries too.

If you regularly look at The Felting and Fiber Studio blog posts, subscribe by email, follow the blog or are a member/visitor to the forum, would you be kind enough to have a look at Marilyn's post or thread on the forum, she has written some questions for a survey, so we can evaluate what people are getting from the forum and if there any areas or features people would like to see more of. It'll only take a couple of minutes and would be really helpful. And please be honest, we really do want your input :)

New Felting Supplies

After finally finishing my inventory the other week, I made a list of all the colours and breeds of wool I was low on and ordered some new supplies from World of Wool. As usual, I added a few things to my order which weren't on the list, but the more you order each time, the more you save on postage, right? :)  I ordered a few natural white wool tops which I haven't tried before, left to right: Whiteface Woodland, Dorset Horn and German Eider.

I've had a dark Brown Corriedale and a few different types of Jacob before, so I added some (Top to Bottom) Grey Corriedale, Grey Jacob and because I couldn't resist, brown baby Alpaca Tops.

I also bought a few things I thought a lot of people might be interested in. I've seen Broken Merino Tops listed before, and thought they were probably what they sounded like, and they are. They look like what I'd imagine is left at the bottom of the bags or boxes when the nice part of the top has been sold: short pieces a few inches long, a bit crumpled and a bit messed up and separated. But not felted or matted at all. I ran some through my drum carder then used it in some blends for felted soap.

There were a couple of wool noils listed, which I've never seen before. There was Bluefaced Leicester Noil, and Black Finnish Noil. They both looked like they are probably what is left over after the wool has been carded into tops. Because they are both quite fine soft wools, even these noils feel soft, although there is a bit of vegetable matter in there too. This is the Bluefaced Leicester one:

And this is the Black Finnish noil:

I thought they'd be good for some extra texture and perfect for using in natural wool texture felt, so the better quality/more expensive wool isn't wasted. I think these were both around £1 for 100g. And since I was going a bit mad with the order, I thought I'd get some Merino Burrs. They looked softer than nepps which I never have much luck with, and they do feel a lot softer, and flatter and not as tight/hard as nepps.

Hopefully, I'll get a chance to try these out soon. I've added these to the Wool and Animal Fibres Gallery on The Felting and Fiber Studio, along with a few other new photos. If you have any photos of wool, fleece, animal fibres you'd like to submit to the gallery, please contact us there :)

Using a Drum Carder

Recently on the Felting and Fiber Forum, Leonor was asking those of us who'd recently bought drum carders what we thought of them. I said I really liked mine from the Classic Carder company and didn't tend to get fibre building up on the small drum, which seems to happen for some and I said I'd try and do some videos when I got chance. Yesterday I found time to do some videos. The first one took almost an hour to upload to youtube, so I have done some edited versions and I will try to upload the others when I have more time. The first batt I made is using 'texturey' wools and fibres. They are mostly ones I have hand dyed myself, scoured wools like Bluefaced Leicester, Wensleydale and Falkland, carded Icelandic, some Alpaca, dyed Devon tops and some hand dyed silk tops and silk noil.

This is the video, sorry the light isn't brilliant.



This next video is showing commercial wool tops being carded, these go through a lot easier, and the end 'batt' is a lot neater and smoother, more like wide roving than a batt. You can use the drum carder to make your own blends from wool tops which are usually more expensive than single colours. Depending on how you put the wool through will depend how 'stripey' it is or how blended. 



I like to make blended batts with some texture and some wool tops. This next video shows about half of the texture batt being blended with the wool tops batt, I think I added some soy tops, flax and ramie to this too.

I don't often do this, but for demonstration purposes, I put the texture and tops batt from the previous video through again.



I used a shower curtain on the table while making these videos, I hoped the white would help lighten them a little, I don't think it made much difference, but it does show up some of the dust that collects under the carder!

UPDATE to tracking supplies

I have edited the tables I was using to keep track of my supplies (deleted my figures, tidied them up a bit) and I have uploaded the Word documents to the Felting and Fiber Studio site in case anyone else might find them useful. The tables are easy to edit if you want to add or delete columns or rows, or add/delete wool breeds. At the very least it will save you typing out a list of breeds :)

For a list of commercial wool tops in different breeds, click here, and for a list of raw, scoured or washed wools and locks in different common breeds click here. Click the attachment link to open or download the Word documents.

Keeping Track of Supplies

 How do you keep track of your felting and craft supplies so you know when you're running low? Do you have a system? I don't have enough room to keep the whole amount of my wool and fibre supplies out, so I usually keep some out to use...

... and the rest 'spare' in bags (or pillow cases!) out of the way in cupboards.

This often leads to me running out of certain breeds or colours, or in some cases, ordering twice because I forget that I checked before the last time I ordered. I decided to do an inventory of all my supplies and stock this week, so I know exactly what I have, then I can try to find a way to keep a better track of it all. I thought the easiest way to do this, would be to put an old sheet down on the floor, get everything out...

... make lists ...

and weigh it all.

I had some Word documents with lists of what I usually use from the last time I tried to be better organised, so I started with those and did print outs for my supplies and also for what is 'spare'. I decided I'd start with my 'natural' wools and do the dyed wools and fibres another day. I have my natural wools split into lights and darks, and I also separate the commercial tops from the locks, scoured and carded wools. I know it sounds like a lot of messing about, but it is easier for finding what I want with limited space.

I wasn't thinking when I started with the light colours. I weighed everything first, then added to the supplies I keep out if they were getting low. But when I did the dark colours, if any of the supplies were low, I added to them before writing down the weight, so I didn't have lots of scribbled out numbers or have to do two lots of weighing :)

So, now I have huge lists with the weights of all my supplies, and spare supplies, do you have any tips or advice about how to keep track of it all better? The only thing I can think of is to weigh the supplies again after each use and also the spares each time I get more out.

Felt Collage Book Cover

I thought I would make a new book cover from felt off-cuts that I've saved. I used a piece of interfacing cut a little bit bigger than I needed for the front and back, and started adding the pieces of felt using exaggerated stitching in contrasting colours. When it was finished, I cut it to size and made the strap and flap for closing the book and attached them with the sewing machine. Then I made the pieces for the inside sleeves, cut them to size and attached them using my sewing machine too. This is the inside front sleeve, I made it stiffer by sewing lines up and down the felt:

This is the inside back sleeve, I used strips of blue and green felt offcuts and overlapped them and added detail with the sewing machine:

After I'd attached the sleeves, I sewed blanket stitch around all the edges with sewing thread, to finish it off. This is the back of the book cover:

This is the front with the flap open:

This is the finished cover with the flap and delrin clip closed:

I'm pretty much done with flickr now, the latest changes have made it too difficult for me to use, apart from the dreadful claustrophobic 'design', the white on black messes with my eyes and causes a lot of vision problems. I'll still check there for comments etc, but all my new uploads will be on ipernity:
http://www.ipernity.com/home/zedster01  It's a nice site and easy to use.

Another Felt Hat

A couple of weeks ago, I posted about my first felt hat. I had a think about how I could improve on the design and resist and thought I'd give it another go. I also thought more about shaping it and blocking it to get a better shape. This time I used an upturned glass bowl with a couple of microfibre towels and bubble wrap on to finish the felting/fulling. Last time I said I'd used mt head and for some reason most people who commented on the Felting and Fiber Studio site had a vision of me with soggy soapy roving wrapped around my head frantically rubbing for hours! :) What I really meant was for pulling the hat into shape and the final fulling stage, I used my head. This was the finished hat:

As it dried, I removed the bubble-wrap and added the lid from a storage tub, this gave the top a flatter shape. I kept checking the size, and removed another towel and let it dry with just one towel and the lid over the bowl. This is the flatter top.

I increased the size of the resist slightly, but this time only used 2 layers of wool, I thought this would keep it softer, and not shrink so much. The idea worked in theory, but the amount of fulling I had to do to get the correct shrinkage caused a lot of wool migration which makes the hat look very fuzzy and the colours are dulled. This is the wool migrating through and over silk:

Yellow and red wool migrating through blue:

Wool over silk and cotton gauze:

I might shave it carefully to remove some of the fuzz. You can see the shape a bit better from underneath, and I had the narrow sides again, where the edges of the resist were, I'm working on ideas to prevent that for next time.

I mentioned in my bag post last week that I'd been looking at eyelet kits, but couldn't decide. I'm glad I couldn't, because while I was out on Friday I had a good look around a 'bargain' shop and found myself a kit for £2.50. I also found a pack of 2 rainbow luggage straps, which I'm hoping will be perfect for the drawstring channel of my Pollock bag. If not, they will be perfect for something else! I also found some woven cord too, which will be ideal for drawstrings. I got a couple of different colours of this.