Cotton Gauze

Do you ever use lightweight cottons in your felting work? I’ve been quite busy lately working on my project of ‘other’ fibres and fabrics used in felting. I’ve been making a lot of felt pieces using lightweight cotton fabrics like muslin and cheesecloth. Another fabric I’ve used is Cotton Gauze, this is also known as ‘Scrim’, and I’ve used a couple of different types. This is some of the dyed pieces I have.

The gauze is really good for creating texture and effects. I’ve been making some large bold pieces to use for bookcovers.

I’ve also made some smaller pieces with resists, using the gauze for texture. This piece was for making into a pouch.

and this became a textured sculptural vessel

I’m starting to have a huge pile of colourful, texturey felt pieces all waiting to be made into something once the weather gets too hot for felting. This is a close up of a large piece I made for making a purse and matching mirror case out of.

The lightweight cottons also work really well for using in scarves and wraps instead of the usual silk. Do you use scrim or cotton fabrics in felting, or fibre art? How do you find it to work with? Have you ever dyed your own? (My hands are currently a strange shade after using red, blue and brown dyes this week!) I’d love to hear about your experiences with it and see photos if you have links :)

Free Tutorials and Silk Paper Update

I've added a new page to the blog so it's easier to find the links to my free tutorials. The new page is just under the blog banner. The tutorials are mostly photosets on flickr, but there are also some PDFs. All the tutorials were written by me and photographed by me and took a long time to do, please respect all the effort that went into them, they are for personal use only and not for reproducing or selling, thanks :)

I did get around to trying out the silk paper sheets that I made not so long ago. I first tried using the tufty bits from around the edges of the sheets to see how the paper felted. The piece I made looked a bit pale, so when I layed the wool out for the new piece, I used darker blues and purples for the background.

I was really pleased with the way it felted, though for some reason it shrank unevenly. The first piece I'd made had also shrunk unevenly, but I just assumed it was the way I lay the paper, so there were more fibres running in one direction. But both pieces had two equal layers of merino and I didn't pay particular attention to the silk paper fibres and which way they ran, and since most were two layers it shouldn't have mattered.

You can see from this angle that the silk paper felted in really nicely

Silk Paper

Over on the Felting and Fiber Forum, we've been discussing silk paper recently. It started when Pam showed us this gorgeous silk vase  and then a beautiful silk box made from delicate silk hankies, threads and angelina fibres. Then Karen was inspired to try making silk paper and after finding some silks work better with different methods made some gorgeous pieces. Once the hard work had been done ;) I thought I'd give it a go too.
I decided to just jump in and try it with spray starch. I'd read a few years ago that it was possible to make silk paper by spraying a layer of silk fibres with starch, adding another layer of silk fibres and spraying that, then covering with baking parchment and ironing until it was dried. Well, it's almost that easy. It's hard to get the spray starch onto the fibres without blowing them away, so it takes a bit of practice to get the spray to 'drizzle'. I found it helpful to spray first, so I got an old piece of cotton cloth and layed it onto brown parcel paper, sprayed the cloth with starch, added a layer of silk, drizzled then sprayed starch onto that, then added more silk, more starch, then covered with another layer of cloth, another piece of parcel paper and ironed. The results were mostly really good. A few times, the layers wanted to separate, but I then had two layers of finer silk paper.
This is 2 layers of mulberry silk:

This piece is 2 layers of mulberry silks and tussah silks. I tried to make it two sided. This is the front:

And this is the back:

This is also two layers of mulberry and tussah silks:

And this piece is made up of two layers of fluffed up mulberry and tussah silks, silk throwsters waste and silk hankies:

This is one layer:

This is from one of the first pieces I made. The layers of tussah silk and dyed mulberry silks separated, so I was left with a layer of mulberry silk (which I used on another piece) and a piece of honey coloured tussah silk paper with subtle colours from the mulberry silk dyes staining it. This is the piece before felting, with the silk paper cut into a few shapes:

And this is how it looked after felting:

It kept the shapes really well, even the wispy tufty bits from around the edges.

I'm hoping to try the wallpaper paste method soon. I recently got the book 'Handmade Silk Paper' by Kath Russon, recommended to me by Lyn from Rosiepink. All I need to do is actually start reading it instead of just drooling over the pictures :)
Have you made silk paper or paper from any other fibres? Do you use it in felting or something else? I'd loved to hear about it or see photos.

Texture

I've been working on a project about using 'other' fibres in felting and noticed that 'texture' has been a common theme lately. I thought I'd post a collection of photos showing different textures from wet felted pieces I've made.

This is a green organza used as a base:

This is the top, strips of organza over blocks of coloured Merino:

This is another organza base, a slightly stiffer gold:

This is a piece of cerise organza:

This is a close up of silk in textured nuno felting:

This is a blue-green piece of textured felt, made with lots of layers and inclusions and felted mostly in the washing machine:

And lastly, this is a piece of texture felt using reds, pinks, oranges and yellow shades:

Do you have any photos of textural felt? How do you like to create it? Do you like to add to your felt to create texture with stitch or other fabrics and fibres? I'd love to see photos of your work :)



Felting and Fiber Studio site Giveaway

We're having a giveaway on The Felting and Fiber Studio site. If you'd like to 'win' a small notebook with a hand sewn, hand felted cover, just come over to the site and leave a comment on the post.
This is the front of the book:

and this is the inside:

Please read the post and check back on Tuesday for the winner :)
http://feltingandfiberstudio.com/2012/05/02/giveaway/

Nuno Felt and abstract

I've been busy making lots of nuno felt samples lately, mostly for reference but I've also made a few larger pieces for making into things like bookcovers, purses etc. These are two pieces for making into something, but I haven't decided what yet :) They use use mainly silk chiffon 3.5mm and silk ponge 5mm.
This first piece has alternating strips of chiffon and ponge:

You can from the close up the different textures of the two types of silk. I like the way chiffon seems to melt into the wool to become a part of it.

Aswell as the chiffon and ponge, I used some pieces from silk scarves for this mosaic piece

                                    



Close up:

I think chiffon is my new favourite silk, it doesn't ripple or ruche as much as other silk under the same conditions, but I think that works in its favour for some projects.

Over on The Felting and Fiber Studio site, Ann posted her second quarter studio challenge. The challenge is to make an abstract piece from a photograph. I got a bit carried away and tried abstracting almost everything in my picture folder :) I've had a couple attempts, one was a shell from organza which didn't work out, and this one, which was my first abstract, an abstract picture of a kiss, using craft felt and needlefelting.

Bird Pods

A few weeks ago I decided to have a go at felting a bird pod. Ann from The Felting and Fiber Studio had recommended using balloons as a form to keep their shape while drying, and I'd finally got round to ordering some from ebay. The first one I made had 2 layers of natural Grey Merino to start, then I added lots of raw Gotland locks around the edges and added two layers of Gotland roving that Karen had sent me. I added some carded Gotland fleece, banana fibre and a few more locks to the top before felting.

The second bird pod I made had 2 base layers of natural brown Merino, then again some raw Gotland locks, though I used some darker grey and black ones this time. The top 2 layers are dark brown Corriedale wool, with some washed Gotland fleece and bamboo fibre on top for extra interest.

The last bird pod I made was for my girlfriend who really likes natural white wools and fibres. I started this one with two layers of English 56s. The locks I used were Teeswater, Mohair and older Angora goat locks. The Teeswater locks are really long, some of the ones I had were 15 or 16 inches, so I used those across the top to come out at both sides. The top two layers were merino 64s, then for extra texture I added some combed teeswater tops, Angora and Mohair locks, some very crimpy Bluefaced Leicester, and some carded bamboo fibre.